ART HOUSE FILMS ON THE BIG SCREEN
at The Cornelius Art Center
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Sat. & Sun. November 1, 2 7:00 pm
20 FEET FROM STARDOM
Wide-Screen Blu-Ray 5.1 Surround Sound
2014 Oscar Best Documentary Feature
2014 Independent Spirit Award Best Documentary
Sundance Film Festival
Just about everything in this movie is right.- Chicago Tribune
Joyous and uplifting. – Observer (UK)
A rich, enjoyably overstuffed 90 minutes – Sight & Sound
See it on the big screen with our 5.1 Surround Sound System.
Millions know their voices, but no one knows their names. In his compelling new film TWENTY FEET FROM STARDOM, award-winning director Morgan Neville shines a spotlight on the untold true story of the backup singers behind some of the greatest musical legends of the 21st century. Triumphant and heartbreaking in equal measure, the film is both a tribute to the unsung voices who brought shape and style to popular music and a reflection on the conflicts, sacrifices and rewards of a career spent harmonizing with others.
These gifted artists span a range of styles, genres and eras of popular music, but each has a uniquely fascinating and personal story to share of life spent in the shadows of superstardom. Along with rare archival footage and a peerless soundtrack, TWENTY FEET FROM STARDOM boasts intimate interviews with Bruce Springsteen, Stevie Wonder, Mick Jagger and Sting to name just a few. However, these world-famous figures take a backseat to the diverse array of backup singers whose lives and stories take center stage in the film.
SUNDAY NIGHT ONLY
Davidson Learns Night- Special post-film discussion led by 20 year veteran Record Producer/Recording Engineer/Performer, Lafouji Alexander.
from the BBC
World War I Drama
2012 (UK) English
“Director Pat O’Connor has got a more genuine feel for the subject than Steven Spielberg ever showed in his own glossy production” – The Guardian
“Another Must-see film from the author ow War Horse…A Potent WWI Drama” – Glamour Magazine
“This gritty yet handsome adaption retains the clear-eyed observations of the original and fleshes out the novel’s atmospheric battle scenes in fine style” – Sight and Sound Magazine
“Few other cinematic efforts are so well constructed and shrewdly characterized”– Evening Standard
Private Peaceful details the gritty rural lives and loves of Tommo and Charlie – two young brothers – and their poor Devonshire family from 1909 until 1916, when the outbreak of World War I destroys their country idyll. Both join up (one under age) leaving behind the beautiful Molly who is the love of both their lives. The young men survive gas attacks, shelling, German troops and the appalling deaths of their close friends. But one thing they cannot escape is summary military justice.
from Two Time Academy Award Nominee
POINT and SHOOT
2014 (USA) English
Tribeca Film Festival -
Winner Best Documentary
Riveting… suspenseful, densely edited… an extraordinary and quietly disturbing film.”
-The Hollywood Reporter
“The incredible documentary Point and Shoot… asks quite boldly: Can we become the idealized image we had of ourselves? The answers as Matthew discovers and filmmaker Marshall Curry reveals are both staggering and thought-provoking.”- Film International
Winner of the Best Documentary Award at the Tribeca Film Festival, POINT AND SHOOT follows Matt VanDyke, a timid 26-year-old with Obsessive Compulsive Disorder, who left home in Baltimore in 2006 and set off on a self-described “crash course in manhood.” He bought a motorcycle and a video camera and began a three-year, 35,000-mile motorcycle trip through Northern Africa and the Middle East.
Sat & Sun January 24 & 25 7:00pm
The Beatles in A Hard Day’s Night
NEW 50th Anniversary HD Digital Restoration
NEW 5.1 Surround Sound Mix
A Hard Days Night was released 8 months after their first records had appeared in the USA, and was a smash hit that re-defined musical cinema. It was conceived as a low-budget knock-off to sell more records by a group that hadn’t proven themselves as more than a short-term fad. However, it’s director, Richard Lester, working with one of the most popular and original music groups of all-time made it into an icon of the 1960s cultural sea change whose effects are still felt today.
The visual restoration, from the original 35mm negative was supervised by Richard Lester, and the new 5.1 sound track was supervised by Giles Martin, (son of Beatles’ original engineer/producer, George Martin), with the approval of Paul McCartney.
When first screened at Studio-C Cinema last July, A Hard Day’s Night received standing ovations, and sold out both shows, so reserve seats early for this wonderful holiday treat.
John Waters’ Polyester
Odorama classic Polyester with its scratch ‘n’ sniff card is coming to screens as part of the Scalarama season with runs countrywide during September.
Rereleased for the first time in more than 30 years, this is a new digital print of John Waters’ cult black comedy about a put-upon housewife, Francine Fishpaw, who is plagued by bad smells, an adulterous husband, perverted offspring, her husband’s sleazy secretary and much more, much worse.
Starring trash film icon Divine as Francine, an alcoholic housewife in suburbia; and the gorgeous Tab Hunter as Todd Tomorrow, her torrid dreamboat lover, it’s a film that broke all taboos in one go. It is still so way out and subversive you have to gulp and imagine the effect it made when it was first released.
It will hardly pass unnoticed in 2014 despite seeming so blatantly gross-out.
Polyester has the added treat of the Odorama scratch ‘n’ sniff card (where the number appears on the screen and you scratch the card) so audiences can smell what they see on the screen and flare their nostrils in joy or horror, depending.
It is John (Hairspray, Pink Flamingos) Waters’ best loved bad taste film and one not to miss if only for cinematic reference and the romantic theme song sung by the then new hit-making duo, Deborah Harry and Bill Murray.
Despite having to endure the grossest of the gross there are still enough laughs to justify watching Polyester.
– See more at: http://www.close-upfilm.com/2014/08/polyester-12a-film-review/#sthash.ZQwKbBJ3.dpuf
New Digital Restoration
First Theatrical Release in 30 years
Shown in Odorama
Odorama was conceived by John Waters, in the tradition of 1950’s movie gimmicks like Percepto, Emergo, Smell-o-vision, and Sensurround, which were mechanical devices meant to lure people to the movies by delivering something that their home TVs couldn’t. It was Waters’ kitchy salute to his entry into the movie mainstream. Each movie-goer will be given a free souvenir working Odorama Card at admission. Instructions for its use are provided in the movie’s prologue.
Special Exhibit and Post-Screening Presentation
Studio C-Cinema’s director, Robert Maier, worked with John Waters on five films, and was the line producer of Polyester. He will display his collection of artifacts from the production, have a Q&A following the film, and sign copies of his book Low Budget Hell: Making Underground Movies with John Waters.
John Waters was recently selected for a life-time retrospective of his films at Lincoln Center as one of America’s greatest filmmakers. Some might question if this notorious taboo-breaker deserved such an honor, but the author, artist and director of 12 films has had an amazing career, and is in the same class as Andy Warhol and Salvador Dali.
Waters’ first films as a teenager in the early 1960s reflected the era and helped define the term “underground film.” Having caught the eye of the New York film distributor, New Line Cinema and British producer Michael White (Monty Python and Rocky Horror Picture Show), Waters was given enough funding to produce a “mainstream” underground film. Polyester was shot in 35mm, featured celebrity actors (Tab Hunter and punk-rock star Stiv Bators), had a full professional crew, and a nationwide opening in mainstream theaters. Bill Murray sung the theme song with Debbie Harry, which was composed by Chris Stein of Blondie, who also co-wrote the music soundtrack with multiple-Grammy-award winning composer, Michael Kamen.
March 12, 13, 14 Festival of Contemporary Irish Films from the Irish Film Board
-SATURDAY AND SUNDAY EVENING FILMS- doors open at 6:15 pm for complementary wine and cheese reception, and browsing the Cornelius Art Center’s Gallery.
Screening begins at 7:00 pm. Informal discussion follows films.
$9 Cornelius Residents; $10 non-Cornelius Residents
($1.00 additional fee for payment by credit and debit card)
(7.25% NC sales tax additional)
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Studio C Cinema c/o The Cornelius Art Center, Oak Street Mill
19725 Oak St. Cornelius, NC 28031
Studio-C Cinema phone: 704-996-7724
Is there a membership fee? No. Every screening is open to the public until tickets are sold out.
Do I need a subscription? No. All tickets are sold individually for each screening.
What about refreshments? Complementary beer and wine tastings and snacks are provided in part by our sponsors. You may bring your own, except alcoholic beverages.
How do I buy tickets? Our on-line tickets page accepts all credit cards. To pay with check or cash, contact Robert Maier at 704-996-7724. We also accept all forms of payment at the door.
How much are tickets? Cornelius residents $10.00. Others $11.00 (plus 7.25% NC sales tax). A limited number of student rush tickets are $5.00. Special events priced individually. Discount packages of 10 tickets are available to Friends of Studio-C Cinema See Tickets page for specifics.