ART HOUSE FILMS
at The Cornelius Art Center
documentaries, foreign films, indies, classics, and more
on the big screen with 5.1 surround sound
Academy Award Nominee
POINT and SHOOT
2014 (USA) English
2014 Tribeca Film Festival -
Winner Best Documentary
Riveting… suspenseful, densely edited… an extraordinary and quietly disturbing film.”
-The Hollywood Reporter
“The incredible documentary Point and Shoot… asks quite boldly: Can we become the idealized image we had of ourselves? The answers as Matthew discovers and filmmaker Marshall Curry reveals are both staggering and thought-provoking.”- Film International
Winner of the Best Documentary Award at the Tribeca Film Festival, POINT AND SHOOT follows Matt VanDyke, a timid 26-year-old with Obsessive Compulsive Disorder, who left home in Baltimore in 2006 and set off on a self-described “crash course in manhood.” He bought a motorcycle and a video camera and began a three-year, 35,000-mile motorcycle trip through Northern Africa and the Middle East.
Sat & Sun January 24 & 25 7:00pm
The Beatles in A Hard Day’s Night
NEW 50th Anniversary HD Digital Restoration
NEW 5.1 Surround Sound Mix
A Hard Days Night was released 8 months after their first records had appeared in the USA, and was a smash hit that re-defined musical cinema. It was conceived as a low-budget knock-off to sell more records by a group that hadn’t proven themselves as more than a short-term fad. However, it’s director, Richard Lester, working with one of the most popular and original music groups of all-time made it into an icon of the 1960s cultural sea change whose effects are still felt today.
The visual restoration, from the original 35mm negative was supervised by Richard Lester, and the new 5.1 sound track was supervised by Giles Martin, (son of Beatles’ original engineer/producer, George Martin), with the approval of Paul McCartney.
When first screened at Studio-C Cinema last July, A Hard Day’s Night received standing ovations, and sold out both shows, so reserve seats early for this wonderful holiday treat.
80’s Underground Comedy
John Waters’ POLYESTER
Odorama classic Polyester with its scratch ‘n’ sniff card is coming to screens as part of the Scalarama season with runs countrywide during September.
Rereleased for the first time in more than 30 years, this is a new digital print of John Waters’ cult black comedy about a put-upon housewife, Francine Fishpaw, who is plagued by bad smells, an adulterous husband, perverted offspring, her husband’s sleazy secretary and much more, much worse.
Starring trash film icon Divine as Francine, an alcoholic housewife in suburbia; and the gorgeous Tab Hunter as Todd Tomorrow, her torrid dreamboat lover, it’s a film that broke all taboos in one go. It is still so way out and subversive you have to gulp and imagine the effect it made when it was first released.
It will hardly pass unnoticed in 2014 despite seeming so blatantly gross-out.
Polyester has the added treat of the Odorama scratch ‘n’ sniff card (where the number appears on the screen and you scratch the card) so audiences can smell what they see on the screen and flare their nostrils in joy or horror, depending.
It is John (Hairspray, Pink Flamingos) Waters’ best loved bad taste film and one not to miss if only for cinematic reference and the romantic theme song sung by the then new hit-making duo, Deborah Harry and Bill Murray.
Despite having to endure the grossest of the gross there are still enough laughs to justify watching Polyester.
– See more at: http://www.close-upfilm.com/2014/08/polyester-12a-film-review/#sthash.ZQwKbBJ3.dpuf
New Digital Restoration
First Theatrical Release in 30 years
Shown with the fabulous interactive gimmick– Odorama
Odorama was conceived by John Waters, in the tradition of 1950’s movie gimmicks like Percepto, Emergo, Smell-o-vision, and Sensurround, which were mechanical devices meant to lure people to the movies by delivering something that their home TVs couldn’t. It was Waters’ kitchy salute to his entry into the movie mainstream. Each movie-goer will be given a free souvenir working Odorama Card at admission. Instructions for its use are provided in the movie’s prologue.
Special Exhibit and Post-Screening Presentation
Studio C-Cinema’s director, Robert Maier, worked with John Waters on five films, and was the line producer of Polyester. He will display his collection of artifacts from the production, lead a Q&A following the film, and have copies of his book, Low Budget Hell: Making Underground Movies with John Waters.
Filmmaker, author, visual artist, and performer, John Waters was recently selected for a life-time retrospective of his films at Lincoln Center as one of America’s greatest filmmakers. Some might question if this notorious taboo-breaker deserved such an honor, but his 12 films, seven books, regular late-night TV appearances, and world-wide stand-up comedy tours have earned him a place in the same class as Andy Warhol and Salvador Dali.
Waters’ first films as a teenager in the early 1960s reflected the era and helped define the term “underground film.” Having caught the eye of the New York film distributor, New Line Cinema and British producer Michael White (Monty Python and Rocky Horror Picture Show), Waters was given enough funding to produce a “mainstream” underground film. Polyester was shot in 35mm film, featured celebrity actors (Tab Hunter and punk-rock star Stiv Bators), had a full professional crew, and a nationwide opening in hundreds of mainstream theaters. Bill Murray sung the theme song with Debbie Harry, which was composed by Chris Stein of Blondie, who also co-wrote the music soundtrack with multiple-Grammy-award winning composer, Michael Kamen.
Observing Black History Month
from Oscar-winner Alex Gibney
from Charlotte underground filmmaker,
Festival of Contemporary Irish Films
Titles to be announced in January.
-SATURDAY AND SUNDAY EVENING FILMS- doors open at 6:15 pm for complementary wine and cheese reception, and browsing the Cornelius Art Center’s Gallery.
Screening begins at 7:00 pm. Informal discussion follows films.
$9 Cornelius Residents; $10 non-Cornelius Residents
($1.00 additional fee for payment by credit and debit card)
(7.25% NC sales tax additional)
Send an email to firstname.lastname@example.org. We share our email list only with the Cornelius Art Center.
Studio C Cinema c/o The Cornelius Art Center, Oak Street Mill
19725 Oak St. Cornelius, NC 28031
Studio-C Cinema phone: 704-996-7724
Is there a membership fee? No. Every screening is open to the public until tickets are sold out.
Do I need a subscription? No. All tickets are sold individually for each screening.
What about refreshments? Complementary beer and wine tastings and snacks are provided in part by our sponsors. You may bring your own, except alcoholic beverages.
How do I buy tickets? Our on-line tickets page accepts all credit cards. To pay with check or cash, contact Robert Maier at 704-996-7724. We also accept all forms of payment at the door.
How much are tickets? Cornelius residents $10.00. Others $11.00 (plus 7.25% NC sales tax). A limited number of student rush tickets are $5.00. Special events priced individually. Discount packages of 10 tickets are available to Friends of Studio-C Cinema See Tickets page for specifics.